Why is literature important,
particularly in the "Information Age" when technology seems to make
the printed word seem on its way to becoming obsolete?
The written word is a representational
language, a stylized conceptual way of thinking, connected but different from
speaking aloud. The core difference is
that the written word speaks in metaphors and allegories that would sound stilted
if applied to speaking in the real world. Writing paints a picture in the mind
of a reader who must use imagination to interpret and comprehend what the
writer is saying. Particularly because
reading is passive, the writer is speaking directly into the reader's head.
Literature is just that --
literal. There are highly detailed rules
of application. What the written story
is about, the subject matter, must be told in a direct fashion or it becomes so
much gibberish, even if layered in themes, dramatic devices or highly stylized. Writing builds ideas upon pre-existing ideas
of cultural myths, layered on top of the formal education and life experiences
the reader has had, compelling the reader forward in their intellectual
maturity and widening their world view, yet, always starting with what they
already know.
Telling someone a story verbally and
writing and reading the same story changes the way the story is
interpreted. People learn in different
manners -- audio or visual -- and at different speeds. Reading books allows the luxury of pause,
rewind and re-play. Reading is, foremost,
personal.
Wisdom And Insight
Literature can provide insight
and wisdom -- in addition to some basic entertainment from the pleasure of a
good story. From cradle to grave, people get caught up in a good story,
imagination being a problem-solving survival tool. The main characters in most literature face
the struggles that come with human existence.
Just being a human being -- even if cloaked in the seemingly alien -- is
to transcend the specifics of that one character and become an universal symbol
of all processes of learning and growth from their on-going experiences that
unfold within the literature's structure.
In a second-hand way, the reader gains the insight of the main character and the experiences written about which then become part of the collective consciousness of the reader. The plot devices of man against man, man against nature, and man against God, are the templates in which the essence of human existence can be explored in innumerable mutations. Perhaps the most important of the story's arc (the beginning, middle and end) is the conclusion, as the understanding of the future may be only as satisfying as the answers to the questions the story raises and resolves, reinforcing that our lives do, in fact, have purpose and meaning -- even if we don't believe it ourselves on a conscious level.
But as the reader identifies with or judges against the main character as they face such situations of conflict and resolution, the reader also re-establishes the boundaries of self, redefining not only the values of a society in the context of the literature, but who the reader is in relationship to the external world beyond the imagined. Self-image -- the ego -- itself is made of "story".
In a second-hand way, the reader gains the insight of the main character and the experiences written about which then become part of the collective consciousness of the reader. The plot devices of man against man, man against nature, and man against God, are the templates in which the essence of human existence can be explored in innumerable mutations. Perhaps the most important of the story's arc (the beginning, middle and end) is the conclusion, as the understanding of the future may be only as satisfying as the answers to the questions the story raises and resolves, reinforcing that our lives do, in fact, have purpose and meaning -- even if we don't believe it ourselves on a conscious level.
But as the reader identifies with or judges against the main character as they face such situations of conflict and resolution, the reader also re-establishes the boundaries of self, redefining not only the values of a society in the context of the literature, but who the reader is in relationship to the external world beyond the imagined. Self-image -- the ego -- itself is made of "story".
Historical Perspective
Much of literature covers
historical eras and themes. Literature can make history come alive and can act
as a mirror to the present. Instead of studying maps and memorizing dates, the
reader is engaged with the people of that era with the advantage of hindsight. Historical
literature has dialogue, culture, thoughts, and events that are portrayed by
characters the reader grows to understand -- involved but at a discernable
distance.
If mankind is doomed to repeat
history, as many believe, then perhaps working through the issues of modern
life through literature -- liken to children "playing" to work
psychologically and socially through the fear, doubt, guilt and shame facing
them as they grow -- is the salvation of the group through the enlightened
individual and the ideas that individual values. A society may only be as strong to survive whatever
challenges lie ahead in association to it's most common myths -- written or
otherwise.
A Murder Mystery may be an excellent way in which to appreciate living and learn how NOT to get dead.
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